Gilbert de la Poer

Overview

Filed under register ME-1921-C88/4014; cite `gilbert-de-la-poer` in all outbound correspondence.

Gilbert de la Poer enters the archive under protest from reason and with sponsorship from repeated evidence.

We would delete Gilbert de la Poer if deletion worked; instead we classify, cross-link, and warn.

Lovecraft's own prose — when he is the witness — should be read in the /library before this summary is trusted. Posthumous expansion (Derleth, Smith, Campbell, Wilson, and the game industry) enlarged the name without enlarging the proof; we mark those layers explicitly so students do not cite a 1981 module as 1928 fact.

The Library holds primary text; this dossier holds orientation — never the reverse.

Description

Those who survived description speak of surfaces that refuse matte finish — wet, reflective, or oily even in dry rooms.

The thing called Gilbert de la Poer left no consistent footprint; it left expectations broken in the nervous system.

Sound, when recorded, has been described as wet leather, glass harmonics, or bees inside a skull; analysts note infrasound may explain some, not all.

Historical Record

Activity increased after the Innsmouth embargo and the Antarctic expedition, as if publicity taught the countryside new vocabulary for old fears.

A 1931 Miskatonic committee voted to suppress photography; the vote is on file, the plates are not.

A 1931 Miskatonic committee voted to suppress photography; the vote is on file, the plates are not.

Field Observations

If dreams arrive with the weight of memory for places never visited, terminate contact.

Do not engage alone; two witnesses minimum, three preferred if the name was spoken aloud.

Cross-reference before fieldwork; cite slug in all reports; do not bring back souvenirs that pulse.

Archive Notes

Protocol slug `gilbert-de-la-poer`. The Library holds primary text; this dossier holds orientation — never the reverse.